Mix slider This controls the proportion between the original (dry) and ‘effected’ (wet) signals. 'Magic' Knob Sets the threshold of the compressor (range: -40 dB to 0 dB).įLT slider Is the sidechain high-pass filter. Out slider: A makeup control up to +12db. Reducing the release time automatically increases the attack time and vice versa (increasing the release time instantly reduces the attack time for a softer, 'spongier' feel). These new ‘Hyper’ tube compressors give faster and more accurate compression with less CPU consumption.Ītt/Rel slider: Adjusts the two parameters simultaneously to offer the user a choice of the most useful settings without any problems. The compressor modes included in Fire the BUS+ are based on our ‘Hyper’ compression tech. *Each compressor has 1x, 2x, and 4x oversampling modes. Its main use is to bind the elements of a mix, what is called the 'Glue' effect while maintaining transparency, warmth, and detail. + MAG Derived from an American Vari-mu vacuum-tube compressor. Some typical applications include vocals, bass, and of course, the mix bus. △ VIO Derived from a British Vari-mu 'soft-knee' valve compressor with a deep, dynamic character and the ability to offer air in the high frequencies. It is able to make tracks sound bigger and it can be used more aggressively when needed. It does have some character, including a gentle smooth sound. This is a very clean, open, detailed and highly-transparent compressor. ▢ BS7 Derived from an American all Class-A vacuum tube compressor. ◯ BUS Derived from a vintage Vari-mu vacuum-tube compressor with a hugely valvey character. Try it even on single tracks you won't regret it. The result you will get using this quick and easy-to-use plugin is a full sound, pleasantly round, controlled bass, and with the presence of an adjustable high pass filter, it will allow you to rule out any unwanted pumping. The choice of compressor model from the four available, each one based on our ‘Hyper’ compression tech, will greatly impact the tonality and timbre of your mix or master. The aim of this series is to create an ‘easy-to-use’ product line that encompasses Acustica’s top quality alongside very intuitive use with just a few simple clicks! The FIRE series plugins will make your life easier and help save you time!įire The Bus+ is the brand new Acqua plugin in the Fire series giving a uniform sound to your entire mix or master, thanks to its ability to 'glue' all of your tracks together, creating a cohesive, overall timbre to your bus with just a few clicks and very subtle settings. Much like Reaper for DAWs, it might work as a mid-level piece of software that surpasses the free alternative while not costing as much as the "high end." The full license for Acoustica is $120, which seems pretty reasonable.Processing audio has never been easier thanks to FIRE, the series of single-knob plug-ins from Acustica. A new license is something like $400, so it's not cheap, but if you use it often or for work I believe it to be well worth it.Īcoustica seems to fill the gap between the two - I look forward to trying it out and seeing how stable and capable it is. At the same time, I finally upgraded to the latest version of Adobe Audition and find it to be one of the greatest pieces of audio software I've ever used. (Though its interface and feature list leave something to be desired.) For simple audio recording and podcast work, though, it's one of the only options in the "free" price range. It seems to me that the go-to editors have been the freely-available Audacity and the higher-end but extremely capable Adobe Audition.Īudacity is great to have as it's a useful, free, swiss-army knife. There aren't a ton of audio editors out there while there are more DAWs than you can shake a stick at. I think this is an interesting software release. Here's a comparison chart that outlines the features of the free and paid versions.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |